Current / Future Lunar Practices 2023 #3 Yuki Okumura, B09K, Changsha Last Terminal: Reflections on The Coming Apocalypse, Volume II, Part 1: The Tail’s End, Rib, Rotterdam (curated by Maziar Afrassiabi) Recent The Last Terminal: Reflections on The Coming Apocalypse, Part 6: The Siphon, Rib, Rotterdam (curated by Maziar Afrassiabi) Big Sales Show, Etablissement d'en face, Brussels Janelas, Bibliothèque Jean Laude, Musée d'art moderne et contemporain - Saint-Étienne Métropole (curated by Marc Buchy & Tiago de Abreu Pinto) Remote Dialogue: Shuzo Azuchi Gulliver x Yuki Okumura, BankART Kaiko, Yokohama Aichi Triennale 2022: Still Alive, Aichi Arts Center, Aichi (directed by Mami Kataoka, co-curated by Fumiko Nakamura) Memory of Trajectory of Mediacy of Particularity of Body of Agent: A to Z Reminiscence of 7,502,733, webinar with Fumiko Nakamura, October 2, 2022 Accumulations, Aoyama | Meguro, Tokyo (curated by Jesse Hogan) Etablissement d'en face presents a sales show at June Art Fair Basel, June Art Fair, Basel Series Kogen vol. 1: Yuki Okumura, Nagoya University of the Arts, Nagoya Series Heigen vol. 18: Yuki Okumura ‘Organic/Body’, Nagoya University of the Arts, Nagoya Yuki Okumura, as part of On Kawara, Saint-Martin Bookshop, Brussels Platform for Shared Praxis #04, Caves, Melbourne (curated by Jesse Hogan) Welcome Back, Gordon Matta-Clark, Collection Lambert, Avignon (organized by SensoProjekt) The Man Who, Artspace A, Aichi Arts Center, Aichi (organized by Kazushi Kuroda), in the context of ‘Minimal/Conceptual: Dorothee and Konrad Fischer and the Art Scenes in 1960s and 1970s’ Minimal Sensibility – Serial Attitude – Conceptual Method: New Art from 1965 to 1969, online lecture for Aichi Prefectural Museum of Art in the context of the exhibition Minimal/Conceptual: Dorothee and Konrad Fischer and the Art Scenes in the 1960s and 1970s Human Life as the Site and Duration of a (Conceptual) Performance, Project Week, the Royal Academy of Fine Arts, Antwerp Jahresgaben 2021, Bonner Kunstverein, Bonn (curated by Fatima Hellberg and Alan Longino) Trajectory of Projects on Subjectivity, Tokyo University of the Arts Dissection / Digestion of Conceptual Art, Tokyo University of the Arts Jun Yang: A Short Lecture on Forgetting and Remembering, Lecture Room I, Tokyo University of the Arts Phantom / Phantasmagoria, Chinretsukan Gallery, Tokyo Between Action and Intuition: Conceptual Art through the Philosophy of Kitaro Nishida, the Royal Academy of Fine Arts, Antwerp From Perceptual to Conceptual and Then Contemporary: Between Ontogenesis and Phylogenesis, Think School 2021, Sapporo (organized by PROJECTA) Survival Aesthetics: On Post Contemporary Art Practice in Japan (Jesse Hogan x Yuko Hasegawa x Yuki Okumura x Paul Gladston), 4A Centre for Contemporary Asian Art / UNSW Art & Design July, August, September - Summer Show 2021, Apernstraße Nr. 13, Cologne (organized by hospitality in collaboration with Martin Germann) Yuki Okumura at King’s Garden, King’s Garden, Copenhagen (organized by Philip Pilekjær) The Depersonalization of Artist, Issue I of Nothing Personal, Glasgow (edited by Esther Draycott, Kiah Endelman Music, Maria Howard and Calum Sutherland) Landslide to be lived off and/or tongues to be deadpan, MISAKO & ROSEN, Tokyo (curated by Lei Yamabe) 11 Stories on Distanced Relationships: Contemporary Art From Japan, The Japan Foundation (curated by Eriko Kimura, Kenichi Kondo, Tomohiro Masuda, Shino Nomura) Corporeality of Conceptual Art, CS-LAB, Tokyo Zokei University The Man Who, An Ephemeral Archive, Keio University Art Center, Tokyo (organized by Hitoshi Kubo and Yohko Watanabe) Permanent Body Contract (Exceptional Case) by Yuki Okumura with Shuzo Azochi Gulliver, Meander, Collaborative Cataloguing Japan (coordinated by Ann Adachi-Tasch) NEW BOOK! YUKI OKUMURA, published by edition.nord, Niigata (para/log 001)