Current / Future
Last Terminal: Reflections on The Coming Apocalypse, Part 6: The Siphon, Rib, Rotterdam (curated by Maziar Afrassiabi)
Big Sales Show, Etablissement d'en face, Brussels
Janelas, Bibliothèque Jean Laude, Musée d'art moderne et contemporain - Saint-Étienne Métropole (curated by Marc Buchy & Tiago de Abreu Pinto)

Remote Dialogue: Shuzo Azuchi Gulliver x Yuki Okumura, BankART Kaiko, Yokohama
Aichi Triennale 2022: Still Alive, Aichi Arts Center, Aichi (directed by Mami Kataoka, co-curated by Fumiko Nakamura)
Memory of Trajectory of Mediacy of Particularity of Body of Agent: A to Z Reminiscence of 7,502,733, webinar with Fumiko Nakamura, October 2, 2022
Accumulations, Aoyama | Meguro, Tokyo (curated by Jesse Hogan)
Etablissement d'en face presents a sales show at June Art Fair Basel, June Art Fair, Basel
Series Kogen vol. 1: Yuki Okumura, Nagoya University of the Arts, Nagoya
Series Heigen vol. 18: Yuki Okumura ‘Organic/Body’, Nagoya University of the Arts, Nagoya
Yuki Okumura, as part of On Kawara, Saint-Martin Bookshop, Brussels
Platform for Shared Praxis #04, Caves, Melbourne (curated by Jesse Hogan)
Welcome Back, Gordon Matta-Clark, Collection Lambert, Avignon (organized by SensoProjekt)
The Man Who, Artspace A, Aichi Arts Center, Aichi (organized by Kazushi Kuroda), in the context of ‘Minimal/Conceptual: Dorothee and Konrad Fischer and the Art Scenes in 1960s and 1970s
Minimal Sensibility – Serial Attitude – Conceptual Method: New Art from 1965 to 1969, online lecture for Aichi Prefectural Museum of Art in the context of
the exhibition Minimal/Conceptual: Dorothee and Konrad Fischer and the Art Scenes in the 1960s and 1970s
Human Life as the Site and Duration of a (Conceptual) Performance, Project Week, the Royal Academy of Fine Arts, Antwerp
Jahresgaben 2021, Bonner Kunstverein, Bonn (curated by Fatima Hellberg and Alan Longino)
Trajectory of Projects on Subjectivity, Tokyo University of the Arts
Dissection / Digestion of Conceptual Art, Tokyo University of the Arts
Jun Yang: A Short Lecture on Forgetting and Remembering, Lecture Room I, Tokyo University of the Arts
Phantom / Phantasmagoria, Chinretsukan Gallery, Tokyo
Between Action and Intuition: Conceptual Art through the Philosophy of Kitaro Nishida, the Royal Academy of Fine Arts, Antwerp
From Perceptual to Conceptual and Then Contemporary: Between Ontogenesis and Phylogenesis, Think School 2021, Sapporo (organized by PROJECTA)
Survival Aesthetics: On Post Contemporary Art Practice in Japan (Jesse Hogan x Yuko Hasegawa x Yuki Okumura x Paul Gladston), 4A Centre for Contemporary Asian Art / UNSW Art & Design
July, August, September - Summer Show 2021, Apernstraße Nr. 13, Cologne (organized by hospitality in collaboration with Martin Germann)
Yuki Okumura at King’s Garden, King’s Garden, Copenhagen (organized by Philip Pilekjær)
The Depersonalization of Artist, Issue I of Nothing Personal, Glasgow (edited by Esther Draycott, Kiah Endelman Music, Maria Howard and Calum Sutherland)
Landslide to be lived off and/or tongues to be deadpan, MISAKO & ROSEN, Tokyo (curated by Lei Yamabe)
11 Stories on Distanced Relationships: Contemporary Art From Japan, The Japan Foundation (curated by Eriko Kimura, Kenichi Kondo, Tomohiro Masuda, Shino Nomura)
Corporeality of Conceptual Art, CS-LAB, Tokyo Zokei University
Listening: Resonant Worlds, Maebashi Cinema House (curated by Fumihiko Sumitomo)
Jun Yang The Artist, His Collaborators, Their Exhibition, and Three Venues, Kuandu Museum of Fine Arts, Taipei (curated by Barbara Steiner and Jun Yang)
The Man Who, An Ephemeral Archive, Keio University Art Center, Tokyo (organized by Hitoshi Kubo and Yohko Watanabe)

Body Contract (Exceptional Case) by Yuki Okumura with Shuzo Azochi Gulliver, Meander, Collaborative Cataloguing Japan (coordinated by Ann Adachi-Tasch)
alt-space-escape, online exhibition (curated by Makiko Takahashi)
On Kawara is Still Alive: An Interview with Pall Thayer, online presentation

YUKI OKUMURA, published by edition.nord, Niigata (para/log 001)