Current
We Stand So Many Ghosts of Unknown Chances, gallery αM, Tokyo
Aftermath of Hands-on Sessions on Various Nonactive Postures to Keep Oneself Somehow Carried Away, gallery αM, Tokyo (curated by Takuma Ishikawa)
u - New Project Spaces, Kunsthalle Zürich Backrooms, Zurich (curated by Otto Bonnen)

Future
Solo project at Hauptraum, Secession, Vienna (curated by Bettina Spörr), Feb. 2025

Recent
Indiscipline 2024, Grand Casino Knokke, Knokke-Heist (curated by Pauline Hatzigeorgiou) *Unscheduled, spontaneous participation
An Account of The Luck and Misfortunes of ______, Etablissement d'en face, Brussels (organized by Provence)
Lunar Practices, Bananafish, Shanghai
136 Locations – 956 Intersections, 20 Albert Road, Glasgow (organized by Cento)
Janelas, BPS22, Charleroi (curated by Marc Buchy & Tiago de Abreu Pinto), in the framework of 'Merci Facteur! Mail Art #6'
November, 2-12-4 Higashiazabu, Minatoku, Tokyo (curators: Carla Donauer with Martin Germann) *Taking part as a member of N.E. One &c.
A Snowball's Chance in Heaven, Global Seminar Studio (U21), Kyoto University of the Arts, Kyoto
Global Art Talk 043: Yuki Okumura, A Long and Winding Road (Abridged), Kyoto University of the Arts, Kyoto
CLOUD & TOE, KNULP, Sydney (curated by Jesse Hogan)
Yes Chance, Royal Academy of Fine Arts Antwerp (curated by Yuki Okumura & Mr. Eyeball)
Lunar Practices 2023 #3 Yuki Okumura, B09K, Changsha
Last Terminal: Reflections on The Coming Apocalypse, Volume II, Part 1: The Tail’s End, Rib, Rotterdam (curated by Maziar Afrassiabi)
The Last Terminal: Reflections on The Coming Apocalypse, Part 6: The Siphon, Rib, Rotterdam (curated by Maziar Afrassiabi)
Big Sales Show, Etablissement d'en face, Brussels
Janelas, Bibliothèque Jean Laude, Musée d'art moderne et contemporain - Saint-Étienne Métropole (curated by Marc Buchy & Tiago de Abreu Pinto)
Remote Dialogue: Shuzo Azuchi Gulliver x Yuki Okumura, BankART Kaiko, Yokohama
Aichi Triennale 2022: Still Alive, Aichi Arts Center, Aichi (directed by Mami Kataoka, co-curated by Fumiko Nakamura)
Memory of Trajectory of Mediacy of Particularity of Body of Agent: A to Z Reminiscence of 7,502,733, webinar with Fumiko Nakamura, October 2, 2022
Accumulations, Aoyama | Meguro, Tokyo (curated by Jesse Hogan)
Etablissement d'en face presents a sales show at June Art Fair Basel, June Art Fair, Basel
Series Kogen vol. 1: Yuki Okumura, Nagoya University of the Arts, Nagoya
Series Heigen vol. 18: Yuki Okumura ‘Organic/Body’, Nagoya University of the Arts, Nagoya
Yuki Okumura, as part of On Kawara, Saint-Martin Bookshop, Brussels
Platform for Shared Praxis #04, Caves, Melbourne (curated by Jesse Hogan)
Welcome Back, Gordon Matta-Clark, Collection Lambert, Avignon (organized by SensoProjekt)
Minimal Sensibility – Serial Attitude – Conceptual Method: New Art from 1965 to 1969, online lecture for Aichi Prefectural Museum of Art in the context of
the exhibition Minimal/Conceptual: Dorothee and Konrad Fischer and the Art Scenes in the 1960s and 1970s
Human Life as the Site and Duration of a (Conceptual) Performance, Project Week, the Royal Academy of Fine Arts, Antwerp
Jahresgaben 2021, Bonner Kunstverein, Bonn (curated by Fatima Hellberg and Alan Longino)
July, August, September - Summer Show 2021, Apernstraße Nr. 13, Cologne (organized by hospitality in collaboration with Martin Germann)
Yuki Okumura at King’s Garden, King’s Garden, Copenhagen (organized by Philip Pilekjær)
The Depersonalization of Artist, Issue I of Nothing Personal, Glasgow (edited by Esther Draycott, Kiah Endelman Music, Maria Howard and Calum Sutherland)
Landslide to be lived off and/or tongues to be deadpan, MISAKO & ROSEN, Tokyo (curated by Lei Yamabe)

Permanent
Body Contract (Exceptional Case) by Yuki Okumura with Shuzo Azochi Gulliver, Meander, Collaborative Cataloguing Japan (coordinated by Ann Adachi-Tasch)